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Campaigning - How to produce a newsletter
You can produce simple but effective newsletters using
a computer, printer and word processor like Microsoft Word or
a simple desktop publishing package like Publisher. If you have
access to more sophisticated software like QuarkXpress, so much
the better. But keep your design simple and direct. You want to
communicate a message, not dazzle with brilliance. Here are some
guidelines for producing a newsletter.
Layout
Newsletters follow modern newspaper design – a modular design
that is clean, unfussy, and easy to work with, and to follow.
Good newsletter design rests on a grid - a network of lines which
provide a skeleton for your layout. The lines are called guides
because although you can see and use them, they are invisible
and will not print out. The guides make it much easier for you
to structure your page and help you produce a clear layout. For
an A4 page use three or four columns.
The most important story
The design should be functional. It is used to guide the reader
through the page, to tell them what to read first, second, third.
How do you do this? You create a hierarchy of stories. Signal
the most important story (lead story) by putting the headline
in large type. For example, put it in bold, possibly in capitals
(caps), over 2 decks (lines), with a sans serif typeface (see
below). The most important story will probably be the longest.
Give this story room on the page to show that there’s no
question that this is the lead story.
The next most important story (or second lead) will have a slightly
lighter and smaller typeface headline. Usually the second lead
story won’t be as long as the lead, so cut it if it’s
too long. The third or least important story could be just a paragraph
or two. To draw attention you could put the whole story in a box,
or rule it off. But don’t do all these things at the same
time, it will look fussy.
Pictures
If you have an opportunity to get pictures of an event, use it.
Always use pictures BIG. Even if the picture stands alone without
a related news story, be generous with space on the page. Allow
for up to two thirds of the page. Sometimes a powerful picture
can convey far more than the words so you may want to give it
the whole page. Even if the picture isn’t very good, don’t
be mean with space. It will look even worse if you try to hide
it by using it small. If it is that bad, don’t use it at
all. The reverse rule applies to cartoons. Keep them small.
Every picture must have a caption that says what or who it is.
But don’t simply describe what everyone can see in the picture.
It’s a chance to add colour (interest) to a story and possibly
new information. If there’s a picture with a story, place
the story with the picture - directly under or above the headline
or put the text next to the picture with a headline covering both.
Headlines
When writing a headline, read the first paragraph in the news
story and draw out a headline from that first paragraph. If in
two lines, always fill out the top line. Avoid punctuation in
headlines— it always looks ugly. If using a standfirst —
a few lines which provide a teaser, pose a question that the story
will answer or summarise the story — write the headline
first.
Rule for rules
Never more than 1pt wide rules (vertical or horizontal lines)
on A4. Used fine (0.5pt or hairline rules) they are a good way
of separating stories on a page.
Typefaces
sans serif—for heads, gives impact: bold,
brash, shouts at you. Arial is a common sans serif font.
serif—for bodytext,
easier to read for smaller text in print.
The most common serif font is called Times
New Roman. Most printed media including newspapers, magazines
and books use a serif font because it makes reading large amounts
of small text much easier on the page. You will notice that we
use a sans serif font for body text on this site. That is because
web pages are displayed on screens, and sans serif fonts are more
legible in this medium. In print, keep to serif fonts like this
for your main blocks of body text.
These rules can be broken, but it is rarely more effective to
do so.
Contrast
If using colour – photocopy the newsletter to see how it
will work in black and white. Use bold and plain text for different
stories sitting next to one another but avoid the use of too much
italic or bold in body text. If in doubt, keep text plain. Limit
the number of typefaces you use to no more than three.
Page updated: 5 February 2010
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